Limón Dance Company in residence at SUNY Brockport
The Limón Dance Company will be in residence at SUNY College at Brockport again this year form July 21 through August 8, 2008. In addition to the educational activities during the day, the Company there will also be evening activities, including:
- Monday, July 21st: Film Showing and Discussion: “Limon: A Life Beyond Words” with Carla Maxwell
- Wednesday, July 23rd: Anna Sokolow and José Limón, Colleagues ,Friends and Humanists – join a discussion of these two giants of American Modern Dance with Jim May, Artistic Director of Sokolow Theater Dance Ensemble and Carla Maxwell, Artistic Director of the Limón Dance Company, as they share their experiences working with these seminal artists of the 20th century.
- Thursday and Friday, July 24th and 25th: Preview Performances of Anna Sokolow’s riveting masterwork, Rooms, performed by the Limón Dance Company. Discussion to follow the performance.
- Monday, July 28th: Introduction to Columbian Folklore #1 masterclass with Daniel Fetecua
- Wednesday, July 30 – Introduction to Columbian Folklore #2 masterclass with Daniel Fetecua
- Thursday, July 31: Lecture/Performance by Daystar/Rosalie Jones, founder of Daystar: Contemporary Dance Drama of Indian America, which has been acknowledged as a pioneer of “native modern dance”. She will share her experiences of being coached as a choreographer by Mr. Limón, and speak about the developments in “Indigenous contemporary dance” now taking place in Canada, driven by a new generation of Indigenous First Nations peoples. She will conclude her presentation with “The Spirits Dance”, a mime/dance story about the origin of the healing “Jingle Dress” of the Anishinaabe people of the Great Lakes.
- Monday, August 4th: Contemporary Jazz dance masterclass with Ashley Lindsey
- Thursday, August 7: The Limón Dance Company, open showing of a new work in progress by Clay Taliaferro.
- Friday, August 8th: Final Day at 1:15: a final showing of all repertory classes and composition (no charge).
Unless otherwise noted, all activities at 7pm and with a $15 admission (free for workshop students). All events will be held in Studio 152 of Harwell Hall, unless ventilation requires moving to the Hartman Theater.

The diverse program of dance at this concert will culminate a week-long Dancers Intensive Workshop, and include new and reconstructed work by Evans and other leading western New York professional choreographers—Don Halquist, Suzanne Oliver, Heather Roffe, Kista Tucker and Anne Harris Wilcox. Performers include some of the most skilled and expressive contemporary dance artists in western New York. The featured work of the program will be a revival of Hard Times, choreographed under a choreographic fellowship awarded to Bill Evans by the National Endowment for the Arts in 1973. It is one of the works that launched his international career as a choreographer and was performed throughout the country in numerous national tours by the Bill Evans Dance Company between 1975 and 1983. The work takes its title from a depression-era ballad of the same name, one of a suite of five traditional songs recorded by the Deseret String Band to which the work is performed. This modern dance work graphically depicts the struggles and triumphs of the impoverished and disenfranchised. It is compelling in its powerful physicality and usually ignites controversy among audience members during intermission discussions. It will be performed by Anne Harris Wilcox, Don Halquist and Jenny Showalter. Other works that will be performed include:

The Bill Evans Dancers’ Intensive provides a learning environment that generates trust, self-esteem, peer support and physical, mental and spiritual regeneration. Overarching themes and underlying concepts unify all courses, so that students have multiple opportunities each day to experience transformative ideas in different dance and movement forms, allowing them to make quantum leaps of understanding and embodiment in a short time. Participants develop relationships with peers that provide networks of support throughout the year.
Tickets for this performance are $20 for general public, $10 for seniors and students. They are available by phone at (585) 395-ARTS or at the Tower Fine Arts Center Box Office, 180 Holley Street, Brockport, from Monday, June 2–7, from 12:00 pm to 5:00 pm. Remaining tickets may also be available at the Box Office in Hartwell Hall one hour prior to the performance.
With color, rhythm and energy, the
Iddrisu’s time on the Brockport campus, serving as an adjunct during the fall 2007 semester, exceeded his expectations. “I had heard of the Sankofa program, and knew it was one of very few programs of its type on a college campus, but when I got here, I felt lucky to be a part of it.” When he returned to the campus for additional rehearsals, he found that the “support and enthusiasm was even greater than when I was teaching in the fall.” Visiting professor/guest artist Bill Evans has choreographed “Nubia,” along with his dancers. Reflecting on the piece, Evans said that “as I began to work on this piece, I shared a rhythmic sound and movement language I had generated with the dancers, and asked each of them to participate in creating the dance. In handing these sounds over to them, I drew upon my knowledge of rhythm tap and my studies with the great African-American choreographer Donald McKayle, who was strongly influenced by the dances of Caribbean cultures. He fused these influences with mainstream modern dance techniques to create a fluid, grounded and rhythmic style of contemporary dance.”
The featured MFA works will include two dances by Mark Schmidt exploring a physical vocabulary inspired by the cultural practices and movement qualities found in the New York underground 

There will be two public Gala Performances on the mainstage of the Tower Fine Arts Center, on Sunday, March 16, at 12:30 pm and again at 3:30 pm. Tickets are available at the 
Jenny’s research involved studying the effects of physical training on a dancer’s ability to execute athletic dance movement. She gave her dancers different conditioning tasks such as running and lifting weights and tracked their success. Her choreography wove together dynamic athletic movement with shapes and forms that one might observe at different athletic events.
This being the first and only time seeing the pieces, when I would usually see them many times, I found myself overwhelmed with pride for this group of performers. Knowing the dancers packed schedules, and living it for three years, makes me appreciate the DANSCORE dance concerts even more. Auditions for DANSCORE occur in late August and rehearsals begin immediately, averaging three to six hours a week. Brockport dancers work on up to three pieces on top of rehearsals for other concerts, choreography and, of course, school work in and outside the Department of Dance. 

The
A string ensemble of six professional musicians from the Rochester Philharmonic Orchestra and Cornell University will play for the featured work of the evening, Brahmsiana. This lyrical modern dance work to music by Brahms intertwines the artistry of four individuals in dynamic solos, duos, trios and quartets. The choreography was created and will be performed jointly by members of the Elizabeth Clark Dance Ensemble (Clark and Christina Taylor) from Rochester, and the Bill Evans Dance Company (Evans and Don Halquist) formerly from Seattle and Albuquerque. They have collaborated on every level in the creation of this piece, which blends the very different Clark and Evans styles. The first portion of this work was previewed last summer. This will be the premiere performance of the completed work, which is more than 20 minutes in length. New costumes have been designed and executed by Sandra Cain. The musicians are: